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Showing posts with label creative forming. Show all posts
Showing posts with label creative forming. Show all posts

Hello, AM by Teri Viereck

Hello, AM
I am responding to your welcome of photos and blogs:


I had a tooth removed and my gap smile looked like "trailer trash".  But  my son suggested  the word "bad ass"!    Then my daughter suggested "insouciant".  But now my favorite self-image word is "wacky".

Here is a an explanation of my aspiration to be kooky and weird.

My process of painting is for the purpose of discovering who I am. 

Stewart Cubley is coaching me; and when he saw this one:



he asked what was in the empty heart center,  i.e. what do I care about?

So I started putting something into the heart center,  I got carried away with the purple and diluting it with water around the edges, then of course more yellow, then some orange red so we have five big yellow daisies,  my favorite flower, my favorite color.   I love flowers and growing things, and being close to nature.  It's still wacky.  I embrace wackiness.


Here I started by just following form and color,  sometimes I see a lightbulb, sometimes a melon.  The little people are wacky, they are independent but at the same time related.   They are improvising with no ulterior motive.  It feels fun.  It is an image for the relationship in a group of people.  It''s like a Rorschach test, though I did not intend that.  What do you see?


Then while a young girl was playing with me yesterday I did this.  The posture of the woman is balanced, stable, limber, graceful, and serene.    The gesture of the man above her is sheltering, not threatening. He also is grounded..  I'll put in some horizontal line to express the ground.  His head should be larger.  Should I change it?  I drew the head of the man larger at first.


With great abundant wackiness,

Then a friend asked me "How do you decide what to paint?" 
Here is my answer:

how are you deciding

That is a very good question.
The blank, white page is a bit intimidating.
I begin with a choice of brush and color (my bottles of tempera are so inviting),
and make a blob or streak; and go from there without thinking about it, that's the hard part.
Stewart reminded me to distinguish between thinking and feeling.
When I think "wacky" it's a bit judgmental
When I feel "wacky"  it's fun.
 
deciding

It was a similar question when I studied with Eleni Levidi in Boulder,  and wondered how to "decide" how to move my body.   Feeling the texture of the carpet in her studio invited an exploratory movement which felt "authentic" and I laughed for hours.


Feel free to post this:


Teri Viereck
Fairbanks, Alaska

Winter Retreat, Westfield, MA Feb 2012

 "Under the depths of my compost pile there is an even deeper source of light, hope, sprouting new growth."  Ann Hooke




Kathy Chowanec:

"Arrival"

"Prismic Hair"


 Ann McGinty:


 "It turns our she is everywhere."

Opening/Portal


Kathryn Kollar:
Body Sandwich

Galleries for Images by Kathy Chowanec

The Authentic Movement Community Blog would like to open the door wider to the visual realm, by creating personal galleries of visual art images or creative forming results. We hope you would enjoy seeing your creative forming pieces from a gallery perspective of a whole group of your own work and a group of other's work as well. There is a strong belief that our mind/body tells us things through our artistic expressions. Most pieces currently on the AMC Blog are narrative. 
The idea is to have a place for art strictly from authentic movement experience.  We are inviting artistic expression that has happened in conjunction with a movement session. These galleries  are not for art that has been judged, juried, or awarded any level of expertise. These galleries  are not to be art work that is for sale anywhere else. 
This is an invitation to send photos of art pieces you may be shy about showing. They can be entered anonymously, or not. This is an opportunity if you want to have comments on what others see in your expressions.  
From a personal standpoint this idea came about because I think I’m shy about pieces “I don’t like”. I’m not sure what that means. They are certainly mine, a part of me I love, and yet it would be courageous to have others see them. So I think I need to let others see them to surpass my fear of these art pieces being ugly, unfinished, or out of character, the shadow in me. Putting them on the blog allows me to set them free, see them from a longer lens, be non judgemental about them. They now belong as a part of the blog gallery. I can claim them, or not and decide to remain anonymous. I hope you join me in posting images. ---Kathy Chowanec

Send your images in an email or email attachment to Elizabeth at ereid1@yahoo.com
Please include any titles or wording you would like posted with your image.  We need written permission to publish your images and any pictures of you.

Kathy invited the September Reunion of the Facillitator's Group to try these Galleries.  Below are six galleries as our first effort.  Witness response welcome!   

Kathy Chowanec's Gallery




Ann McGinty Gallery "Nourishing Art"

Visioning

The whole gallery goes together.

Top---Clarity
Bottom---Visioning

Top---Portal
Bottom---My Blue Wings

Top--Yes
Bottom--Holding Fire

Nephron--From nothing comes something

Burning away, letting go


calling card


wonder

crucible

crucible





opening



power shield

lightning lifting light

she whispers the door is open

fire in her spine

messenger

the dancer sees

Kathryn Kollar Gallery

Safety
I really like this one. It feels safe to me. It's odd isn't it?

Safety from a different angle

Safety from one more angle

Let--What's on the table.

Safety--upper left
Dog--lower left
Party--upper right
Let--lower right

Authentic Movement: Creative Forming Roberta Whitney

SEP 2011




On Mexican Yams

It was a time of the Mexican yam and I am on the edge of creating...
It was a time of estrogen and I am well-beyond ovaries and carrying potential within.

And yet—I can create externally now...

I am the fecundity in a marigold
and flowering broccoli in the gardens.
I am the flow of a watery stream
running off the clay vase, made fountain.
I am stillness drinking in the sun.
I am the warrior--slicing--protecting.
I am the roaring lion-fiercely sounding out
to an [American] culture devouring the children.
I am one half-
one pole-
one side.


In the coolness, I rock.
Waters shift gently within.
I am a silent prayer for life
No longer between hips-but in
the world-wide mother.
I am of Her.

My vessel is She.
It is bigger and more beautiful
than all of time and space.
She is my estrogen,
My Mexican yam.



On Sound

1.
There is a phenomenon
With noise—when it
Stops,
There is still silence...
And in that space, is there no sound?
Night bugs of summer orchestrating after a flaming sunset.
The moon—
Does it not have a sound?
Perhaps, a moon wind whispering over the craters.
And then,
Your breathing.
The most beautiful sound in the world—
Life, singing into you.

2.
Connect—you—me—
The sound between us.
The vibrations do not
Know the color of your hair
Your weight, or mine.
There is no eye color
Revealed in the notes
Only heart—
And there, we meet.

I draw a circle around me—
It is the circle sound creates around us.

Then, as if too staid,
Cacophony erupts.
Sound and pace shift.
Again, I hear noise.

Until that refines
into
Creative overlay of individuated expression
That finds rhythm and expands

Then, ends
After a beat of your foot on the wall—
now still, now silent.





I want A Circle


I want a circle.
Last night, I saw it ringing a moon,
Full and white.
There were colors there
Softly playing off the light.

I want a circle here now.
In this space.
A rainbow circle.





2 comments:


  1. Mexican Yam is going up on the fridge. yow. FANTASTIC. All of them are remarkable, Roberta. Your humanness sings forth!

    gracias.... (smile) Germaine
    ReplyDelete
  2. and btw... you can be in my circle ANYTIME... as soon as i get one.